![]() That is a whole different playing field in itself. I've been able to listen to any track of orchestral work and directly hear each section's contribution which helps me with orchestration and individual instrument study. Likewise, I include some theory elements to it as well but mostly just working my aural skills in music. That is why I like that site I posted, it has all of those little teaching tools that coincides with this study in particular. This includes scale recognition, rhythmic pattern identification, interval testing, etc. ![]() I know a lot of my writings have drastically improved over the years due to me finally sitting down and practicing ear training for 20 minutes a day. It really is a great tool for a composer. I would like to recommend this free site that not only includes ear training exercises but also provide a gross amount of training in all aspects of music and the best part is that it is FREE!!! ![]() There are many tools of the trade out there that can help with this whether it is a nifty little iPhone app or a website. The greatest way to develop your ear is through practice and training. Simply put, it is the process of learning to identify everything that makes up music (ie pitches, intervals from pitch to pitch, chord/chord structure, rhythms, melodies, etc). I would love people to discuss some of their methods to how they have developed their ear over the years as, again, we could all learn something new from each other. Hey everyone! I thought I would start this thread up as I feel, in the composing world, ear training is an essential tool that we can only benefit from when it comes to writing, orchestrating, or just learning how to study scores by ear.
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